Here are a few shots of the pieces for Desert (Loss) at various stages of layering, on their way to completion in September and October.
My intent was a combination of flatness and density, like strata of information, memory or sensations that converge and entangle as a kind of information overload. Only certain shapes escape the mosaic chaos. The geographical, imagined and supposed become concurrent events.
Landscape itself is neither completely geographical nor entirely theoretical. Historian Simon Schama suggests “landscape is a work of the mind. Its scenery is built up as much from strata of memory as from layers of rock” (7). This is vital to Desert (Loss), as well as the larger body of work Desert… spawns from (The Cascade…), as ambiguous, digitally-informed landscape ruptures and re-contextualizes the nature of location, by way of a strange elasticity. Time, perspective and distance are contingencies in my manipulated topography.
In this case, I sampled my videos, media and screen caps and flattened them into graphic strata. Layered like transparent sediment, they suggest the way pinpointed moments and memories freeze with a fictionalized quality, yet remain transient and insubstantial (yet hardened as iconic distillations). until built up with other layers of memory and experience (additional strata), forming a relational network that allows the viewer to understand.
An earlier phase:
And later phases: