Tag Archives: desert (loss)

Desert (Loss) Studio Shots

Here are a few shots of the pieces for Desert (Loss) at various stages of layering, on their way to completion in September and October.

My intent was a combination of flatness and density, like strata of information, memory or sensations that converge and entangle as a kind of information overload. Only certain shapes escape the mosaic chaos. The geographical, imagined and supposed become concurrent events.

Landscape  itself is neither completely geographical nor entirely theoretical. Historian Simon Schama suggests “landscape is a work of the mind. Its scenery is built up as much from strata of memory as from layers of rock” (7). This is vital to Desert (Loss), as well as the larger body of work Desert… spawns from (The Cascade…), as ambiguous, digitally-informed landscape ruptures and re-contextualizes the nature of location, by way of a strange elasticity. Time, perspective and distance are contingencies in my manipulated topography.

In this case, I sampled my videos, media and screen caps and flattened them into graphic strata. Layered like transparent sediment, they suggest the way pinpointed moments and memories freeze with a fictionalized quality, yet remain transient and insubstantial (yet hardened as iconic distillations). until built up with other layers of memory and experience (additional strata), forming a relational network that allows the viewer to understand.

An earlier phase:

And later phases:

View the finished works here and here.

Desert (Loss) and Google

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Pearblossom Highway near Four Points, East Highway 138 – Palmdale, CA

I have a solo exhibition in November and I am fusing aspects of my most recent body of work, The Cascade – Moments in the Televisual Desert, with excerpts from Last Days (poetry), to suit the space.

Rather than install the Cascade paintings, digital images or videos straightaway, I’ve remixed my own ‘episodes’ to produce an offshoot series, incorporating new research and experiences.

The November installation is entitled Desert (Loss). 

I’ve been mining my stills, videos and paintings for images and symbols that can be remixed into a visual discussion (or even dissection) of the eroded, fleeting memory and its tie to the tenuous nature of ‘depthiness,’ truth(iness) and media. Such that the creative speculation we use when recalling television–or when violently, even romantically, pursuing or attempting to possess fleeting memory, becomes all-consuming.

This pursuit, this grab for thin, fading and re-combining elements becomes the basis of our understanding of self and place;  the backdrop of gain and loss.

There are similarities between the recollection of events (real or fictional) and the abstract construction of place, moment and self built in our brains, to house our weird collection of experiences, our filtered understanding of things. It’s rather like the memory palace of Simonides, with a twist of media theory and personal loss. In this case, the desert backdrop of Adams.

Many of the elements sifted from my televisual desert have been stripped own and abbreviated. This is a graphic mode of erosion, such that only certain highlights remain, not unlike the white-hot pinpoints we latch onto when recalling an encounter, real or fictional, remembered or repressed:

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Martin Milner, who becomes an abstract sheath of black to the right, died Sept. 7. Each image is a monument to eventual loss, and apparently so is the digitally remixed and fabricated: Roland Barthes + The Flaming Lips

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Joshua trees

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Carson, CA

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14 Freeway

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Something’s been lost, or maybe he’s got dust in his eyes

Of course, these extracts, are black and white because they will become transparencies for exposing serigraphy screens.

This allows me to duplicate and further erode each moment, using a variety of ink transparencies and tones, letting some fill in and others become partially obliterated by additional layers and text. So, they won’t be straight black and white and they won’t be single-layer.

In addition to mining my existing episode base, I am also gathering new Google Street Views, stripping, twisting and mutating them, or matching them to television sources. They become part of the remix of reality and fantasy–each carefully chosen vignette speaking on multiple levels (I’ll address some of these in a future blog post). I’m also researching other artists (like Doug Rickard) that use Google, both perceptually and conceptually.

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Yes, this is along the length of Hockney’s Pearblossom Highway; 138. Or, maybe it’s my highway 138. LOL. This is past Littlerock, CA, looking East.

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Los Angeles County Cascades (on the right, see the tank and aqueduct?) plus the definitive overpass leading to Palmdale, Lancaster. Not far from the freeway interchange that fell during the 1995 Sylmar quake.

I’ll share progress shots and images of the finished series in the future. I am still working on audio, new videos and more paintings for the Cascade, but the paintings and videos won’t be part of Desert (Loss) as there is not enough space in the gallery and I adapted the show to suit the location. Audio could play a role, however.

Also, expect a better / deeper explanation of Desert (Loss) and the ideas behind it in coming weeks.

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